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AACM remains steadfast in its commitment to the free training program for inner city youth. The AACM School of Music offers three ten week semesters with an average enrollment of 75 students per. Classes meet every Saturday at AACM Headquarters on the South Side of Chicago between the hours of 10:00 am and 3:00 pm. Students are as young as five years old with classes also offered for adults.
AACM News
AN ISOLENT NOISE 2009 / CHICAGO EDITION
AN ISOLENT NOISE 2009 /
CHICAGO EDITION
The 2009 edition of An Insolent Noise, as it's made clear by the
subtitle dedicated to the Illinois metropolis, is focused on the
meeting between the Association for the Advancement of Creative
Musicians (AACM) of Chicago and the young Italian musical collectives
from the jazz/improvised music field. Founded in 1965 by a nucleus
including Muhal Richard Abrams and Donald Rafael Garrett, AACM became
in time a global beacon not only for its music – to mention but a few,
among its members we find Art Ensemble of Chicago, Leo Smith, Anthony
Braxton, Henry Threadgill and George Lewis – but also for its crucial
concept of community service, based on education of young musicians, on
collaboration with local schools, and on interaction between artists of
different disciplines. Inspired by the AACM model simila associations
of musicians were born all over Europe, and today in Italy as well we
have groups that try to take back tha control on their music, promoting
it especially with an intense use of the nets and of the new
technologies.
AACM will be featured in four concerts:
the solo performance of flutist extraordinaire Nicole Mitchell, tenor
saxophonist Fred Anderson Trio, Quazar 1 led by Douglas Ewart and the
Great Black Music Ensemble, 13 strong official AACM ensemble, in an
original production dedicated to Fred Anderson, an institution of
Chicago's creative music whose 80th birthday we celebrate in 2009.
http://www.aninsolentnoise.com/index_en.html
Nomadic Sound Experiment Concerts
Internationally renowned for unparalleled contributions to modern music, the Association for the Advancement of Creative Musicians (AACM) has been an inspirational leader within the cultural community since 1965. Now in it's fourth decade the organization presents its' new Nomadic Sound Experiment concert series.
The bi-monthly concerts are traveling showcases that feature two performances at each event. Staying true to its' original mandate the concerts emphasize original music, partnering with like minded arts organizations, and reaching out to new audiences. Each concert will strives to feature a set by veteran members as well as emerging artists.
The AACM Presents
Nomadic Sound Experiment #3:
5:00 pm October 24th, 2009
Boocoo Arts Center
1823 Church St Evanston, IL
Set I
Fred Anderson Trio:
Fred Anderson – tenor saxophone
Josh Abrams – bass
Mike Reed – drums
Set II
Saalik Ziyad Quartet:
Scott Hesse – guitar
Harrison Bankhead – bass
Vincent Davis - drums
Past performances:
Nomadic Sound Experiment #1
June 13, 2009
The South Side Community Arts Center
3831 S. Michigan
Set I
Dee Alexander's Evolution Ensemble
Set II
Nicole Mitchell Trio
Nomadic Sound Experiment #2
September 2, 2009
The Old Town School of Folk Music
4544 N. Lincoln
Set I
THE D-O-3-0 Featuring Justin Dillard
Set II
Art “Turk” Burton & Congo Square
The AACM DEBUTS NEW CONCERT SERIES
Internationally renowned for unparalleled contributions to modern
music, the Association for the Advancement of Creative Musicians, Inc.
(AACM) has been an inspirational leader within the cultural community
since 1965. Now in it's fourth decade the organization is poised to
launch its' new Nomadic Sound Experiment concert series.
The new bi-monthly concerts will be traveling showcases that will feature two performances at each event. The goals are to present concerts in a variety of settings around the Chicago land area, emphasize original music or concept, partner with like minded arts organizations, and reach out to new audiences (from Highland Park to
Tinley Park). Each concert will STRIVE to feature a set by veteran members as well as a set by "newer" artists. All proceeds will benefit the re-opening of the AACM school for music education.
The AACM Presents
Nomadic Sound Experiment #1:
7pm June 13th, 2009
The Southside Community Art Center
2831 S. Michigan Avenue
Chicago, IL
Set I
DEE ALEXANDER'S EVOLUTION ENSEMBLE
Dee Alexander - vocals
James Sander - violin
Tomeka Reid - cello
Junius Paul - bass
Set II
THE NICOLE MITCHELL TRIO
Nicole Mitchell - flutes
Tomeka Reid - cello
Jovia Armstrong - percussion
The AACM may best be known for its leading-edge public concerts featuring some of the most accomplished, versatile and innovative
musicians performing original creative music. To continue and expand on this tradition the AACM will kick off the series by joining forces with
another historic arts organization, The Southside Community Art Center. The historic center continues to act as a resource for the arts
community locally and abroad. As the oldest African American Art Center in existence it takes pride in its past and present contributions to
the development and showcasing of emerging and established artists. www.southsidecommunityartcenter.com.
AACM's Gemini's celebrate birthday's with music at Velvet Lounge

AACM Gemini's celebrate their birthdays this weekend. Starting this Friday, June 5th Saalik Ziyad will be celebrating his birthday at the Velvet Lounge with his band The 5 after 7 Project and fellow musicians Scott Hesse, Ari Brown, Kirk Brown and Dushun Mosley. Show starts at 9:30pm
Jam Session to follow
On Saturday, June 6th Dushun Mosley will celebrate his birthday at the Velvet with his Vizitors and CoCo Elyses who's birthday is the same night. Show starts at 9:30pm
On Sunday, June 7th the celebration continues with other Gemini's with the AACM Great Black Music Ensemble at the Velvet Lounge. Show starts at 7pm
Muhal Richard Abrams named NEA Jazz Master 2010
National Endowment for the Arts Announces the 2010 NEA Jazz Masters
Photo by Alan Nahigian
National Endowment for the Arts Announces the 2010 NEA Jazz Masters
Nation's highest honor in jazz is bestowed on eight living legends
May 21, 2009
Washington, DC - The National Endowment for the Arts (NEA) today announced the recipients of the 2010 NEA Jazz Masters Award -- the nation's highest honor in this distinctly American music. The eight recipients will each receive a $25,000 grant award and be publicly honored in an awards ceremony and concert on Tuesday, January 12, 2010 at Frederick P. Rose Hall, home of Jazz at Lincoln Center.
2010 NEA Jazz Master
Muhal Richard Abrams
Born Sept. 19, 1930, in Chicago, IL
Pianist, Composer, Educator
"I am honored to be chosen as an NEA Jazz Master, it is humbling, as well as encouraging, to have my name placed among the illustrious list of previous NEA Jazz Masters."
Muhal Richard Abrams -- pianist, composer, administrator, and educator -- is predominately a self-taught musician. He is highly respected by critics and musical peers as both a pianist and composer in a variety of musical styles, including jazz, extended forms of improvisation, and classical music.
In the 1950s, Abrams wrote arrangements for pianist King Fleming's Jazz Orchestra. From 1957-59, he played hard bop in Walter Perkins' group MJT + 3 (Modern Jazz Two Plus Three) and accompanied leading jazz performers during their visits to Chicago, including Kenny Durham, Art Farmer, Hank Mobley, Ray Nance, Max Roach, and Sonny Stitt. In 1961, Abrams began his foray into extended forms of composition and improvisation in his Experimental Band, which included musicians such as saxophonists Roscoe Mitchell and Joseph Jarman.
Abrams is a co-founder of the Association for the Advancement of Creative Musicians (AACM) (in 1965), founder of the AACM School of Music, and currently president of the AACM New York Chapter. AACM, which has played a crucial role in the development of original approaches to extended forms of composition and improvisation, has produced such distinguished members as Anthony Braxton, Kalaparush Ahra Difda, Leroy Jenkins, Steve McCall, Amina Claudine Myers, Wadada Leo Smith, Henry Threadgill, and members of the Art Ensemble of Chicago.
Abrams first traveled to Europe in 1973 while still residing in Chicago. After relocating to New York in 1977, he traveled extensively to Europe and Japan, gradually acquiring a greater international reputation. In 1990 he became the first recipient of the prestigious Danish JAZZPAR Award, and almost a decade later Chicago Mayor Richard M. Daley issued a proclamation declaring April 11, 1999, to be Muhal Richard Abrams Day. In 2008, he was chosen by United States Artists to be a Prudential Fellow in the field of music.
Abrams' compositional prowess is evident even beyond jazz. His Tranversion Op. 6 was performed by the Detroit Symphony Orchestra and his String Quartet No. 2 was performed by renowned chamber ensemble Kronos Quartet.
During the last 30 years, Abrams has taught jazz composition and improvisational classes at Columbia University, Syracuse University, Stamford University, Mills College, University of California in San Diego, the New England Conservatory in Boston, the BMI Composers Workshop in New York City, and internationally at the Sibelius Academy in Helsinki, Finland, the Banff Center in Banff, Canada, and at workshops at the Sant'Anna Arresi Jazz Festival in Sardegna, Italy.
Abrams' current activities include composing for various types of instrumental combinations, performing solo piano concerts, and touring throughout the world with various ensembles.
Selected Discography:
Levels and Degrees of Light, Delmark, 1967
Spiral Live at Montreux 1978,Novus, 1978
Rejoicing with the Light, Black Saint,1983
UMO Jazz Orchestra, Plays the Music of Muhal Richard Abrams, Slam, 1988
Streaming, Pi, 20005
http://www.arts.gov/national/jazz/jmCMS/master.php?id=2010_01



